A great bass cab mic captures the deep, resonant lows of a growling bass guitar - but the best bass tones are all about accurately representing the crucial midrange as well. These mics do a great job at both.

Serious sound at an affordable price.

The X1 D

"The X1 D is a great choice for faithfully reproducing low frequencies from a loud source. I like it on kick drum, bass guitar cabinet, Hammond organ and timpani."

- John O'Mahony, Mixer / Producer (Vance Joy, Sarah Bareilles, Coldplay, Metric) - sE Artist

The next step up for clarity and performance.

2200a II

"The 2200a II...has a fairly natural sound but is capable of flattery, insomuch as it adds a little low-end warmth while keeping the highs sounding sweet."

- Paul White, Sound On Sound (full review)


"...just mount up an sE4400a and hit record." 

- Andy Hong, Tape Op (full review)

● ● ●   PRO
The best sound that money can buy.


"I'm looking for a mid-range texture that the T2 gives me."

- Greg Price, FOH engineer (Black Sabbath) - sE Artist


guitaRF® Reflexion Filter

"The filters are working an absolute treat! In terms of what it's doing sonically, it's made my ribbon mics really come to life. Got some screaming guitars out front now!"

- Mike Woodhouse, FOH Engineer (Catfish & The Bottlemen) - sE Artist




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