Whether for an in-studio session or an on-stage "crowd mic", the room mic needs to clearly capture the sound of the space around it. Typically blended with close-mic tracks, it can often be the perfect "glue" that holds a mix together.

Serious sound at an affordable price.

The X1

"I also keep an sE X1 in my mic a sort of "Swiss Army" mic. I've used it on guitar cabs, bass cabs, drum overheads, works on just about everything."

- Lance Reynolds, FOH (alt-J) - sE Artist

The next step up for clarity and performance.

Voodoo VR2

"The VR mics immediately reveal their extended HF range, especially when placed alongside other ribbon mics. In fact they would stand out less in among a set of condensers." 

- Robbie Stamp, Future Music / Music Radar (full review)

● ● ●   PRO
The best sound that money can buy.

Gemini II

"The mic is an absolute pleasure - easily competes with mics at twice the price point. Really warm and rich, yet plenty of high end sparkle. While some folks might consider it primarily a vocal mic, I've had some of my best results on acoustic instruments."

- Bennett Dean Lewis, Guitarist (of Montreal, Lera Lynn) - sE Artist

The RNR1

" comparison with a number of other well‑known ribbon mics in the tests at AIR, the RNR1 presented a real sense of 'air' and definition. At the same time, though, the character of the sound was unmistakably 'ribbon' — warm and comfortable to listen to, with a smooth, non‑fatiguing character."

- Paul White, Sound On Sound (full review)




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