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A balanced stereo pair of sE1a mics with stereo bar and flightcase.
Building on the incredibly popular sE1, the sE1a retains
the same capsule but combines this with all new, super-quiet electronics,
all housed in a superbly restyled chassis.
This end-fire small diaphragm condenser microphone
really is astonishing value for money.
Great for drums, pianos, and acoustic stringed instruments
the sE1a is a must have for any size studio.
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SOMETHIN’ ELSE
Are big sE fans and own a pair of sE1As, an sE2200a and an sE Mini…
“We’ve used the sE1s for pretty much everything: drum overheads for Billy Cobham, guitar mics for Amy Winehouse’s guitarist, violins, even guitar amps on occasion when we have a very crowded studio!” |
| Frequency
Response: 30Hz-20KHz |
| Sensitivity: 10mV/Pa - 40 ± 2dB(0dB=1V/Pa 1000Hz) |
| Polar Pattern: Cardioid, Diversity |
| Impedance: ≤ 300 Ohms |
| Equivalent
Noise Level: 17dB(A weighted) |
| Max SPL for
0.5% THD@1000Hz: 137dB |
| Power Requirement: Phantom power 48V±4V |
| Connector: 3-pin |
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Don't just take our word for it.
SOS “The sE1a is a ridiculously inexpensive mic by professional standards, but it certainly doesn’t look or feel cheap in any way Would I recommend that you buy an se1A for recording instruments? The honest answer has to be no… you’d be mad not to buy a pair at this price!”
PAR “I absolutely loved them, and have used them as my overheads ever since. On acoustic guitar, they are very open-sounding… I placed
one on the neck, and one on the body, just above the sound hole, and those two different sounds combined together were great.
Resolution “the SE1a and SE2a are useful tools that
represent terrific value for money.”

sE Microphone Manual |