An electric guitar cab is LOUD - so your mic needs to be able to handle super-high SPLs. It also needs to capture the raw edge of a guitar without becoming harsh or abrasive.

Serious sound at an affordable price.

The X1 A (cardioid)

"In the bass, the X1 A is full...loud sound sources such as guitar amps are no problem."

- Carsten Kaiser, Bonedo.de (full review, German)

The X1 R

"Electric guitar sounded great right away — I got pretty much what I was hearing in the room from the amp even before thinking about adding EQ. I award it full marks in this role."

- Paul White, Sound On Sound (full review)

The X1

"I also keep an sEX1 in my mic box...as a sort of "Swiss Army" mic. I've used it on guitar cabs, bass cabs, drum overheads, audience...it works on just about everything."

- Lance Reynolds, FOH (Alt-J) - sE Artist

The next step up for clarity and performance.

Voodoo VR1

"I’m a songwriter, not an engineer, and whatever gets me there the quickest is what I’m going to use. That’s why I like this microphone - it’s a no-brainer!"

- Steve Stevens, guitarist (Billy Idol) - sE Artist

guitaRF® Reflexion Filter

"The filters are working an absolute treat! In terms of what it's doing sonically, it's made my ribbon mics really come to life. Got some screaming guitars out front now!"

- Mike Woodhouse, FOH Engineer (Catfish & The Bottlemen) - sE Artist

● ● ●   PRO
The best sound that money can buy.

The RNR1

"My favorite ribbon mic in the entire world...they have that lovely extension on the top end that normal ribbons don’t have, but still have all the characteristics that I love."

- Simon Franglen, Composer / Producer / Musician ('Avatar', 'Titanic', 'Skyfall') - sE Artist



"I'm looking for a mid-range [guitar] texture that the T2 gives me."

- Greg Price, FOH engineer (Black Sabbath) - sE Artist





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